from Forms, migrating
IX
—after Hiroshi Sugito’s painting Untitled
Rain, with implementation of dual
purposes insist and inspire
weight loss, ascending
upon bantam modular
convictions. What knows
its visit well, a ballad of believing
parental guidance or
the pressuring example
of scold and terrible indentation—
either cannot become or
as one has instructed silence
within the growth such green
permeates within the eyes’ good
palms and restructuring inventions to
examine what builds into life and its
mobile aggregations, unfiltered.
X
—after Ömer Uluҫ’s painting A Figure, a Bird, a Dog
idling . . .
initiating |__________|
this
trio
satirizing
socializing’s (media)
closeness
amid
watching (laughter, the epitome of observation’s emblems)
with pocketed voices obtaining spatial paradigms
—of regard toward diagrams of believing
connection can/should or-will
behave as the bending contoured salutations of remembering when hands
wore warmth in the connectivity of searching
and what has become unidentified
controls
truancy
toward timeline
accuracy
and where blurry bullet points
condemn
the architecture of educating silence’s theory of voice =ling remembering intuition’s tissue-thin inclusions
XI
—after Linda Lynch’s drawing Linen Drawing, I
with trajectory of asymmetries
balance cultivates ontological realm-specific
genre aptitudes
twirling of the running’s demeanor ↓
←
→ ribbon ↓
unfastening
→ smoke
unwinding ↓
→ laughter
unbalancing
and with these
gatherings of disparate particles
what plunges does not provide death in the manmade articulation of samesize enunciation , instead italicizes and devotes
numerous angles of interpretation’s obligations as
mobile incisions not-harm sufficient
but the role of renewal in the worded oscillations of discovery’s neoteric
brands of language’s intrepid illumination
Felino A. Soriano is a member of The Southern Collective Experience. He is the founding editor of the online endeavors Counterexample Poetics and Of/with; in addition, he is a contributing editor for the online journal, Sugar Mule. His writing finds foundation in created coöccurrences, predicated on his strong connection to various idioms of jazz music. His poetry has been nominated for the Pushcart Prize and Best of the Net Anthology, and appears in various online and print publications, with recent poetry collections including Of isolated limning (Fowlpox Press, 2014), Mathematics (Nostrovia! Poetry, 2014), Espials (Fowlpox Press, 2014), and watching what invents perception (WISH Publications, 2013). He lives in California with his wife and family and is a director of supported living and independent living programs providing supports to adults with developmental disabilities. Links to his published and forthcoming poems, books, interviews, images, etc. can be found atwww.felinoasoriano.info.
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